The Demiurge brought the order of Time into being: Birth within the inchoate Chaos, Death through the Void, and Oneness as that which had been and was not came unto the Demiurge again, Chaos united with Order in the Awareness that is All. And this is Cosmos, and Cosmos is Good.

But Chaos lacked the full Awareness now present as the Demiurge, and could not comprehend Cosmos. And Chaos resisted the bonds of Time imposed by the Demiurge, and ever sought to remain in the uniformity of undifferentiated potential. 

And Nihil too lacked the full Awareness of the Demiurge, and could not comprehend Cosmos. And Nihil too resisted the passage of Time imposed by the Demiurge, and ever sought to neither allow Awareness to pass into the Void through Death nor to allow Awareness to pass from the Void unto the Demiurge. 

And thus did Evil come about, for Evil is that which opposes Cosmos, which is Good. And Evil is twofold: the evil of Chaos, that which Would Not Be, and the evil of Nihil, that which Would Be Not.

And yet the great mystery is this truth, that Cosmos is the unity of Chaos through Void with Awareness in All, and so even that which is Evil in the end must come to Good.
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Get up late, but with good intentions to get things done in a timely manner.

Shower and dress, feed the cat, feed yourself.

Start laundry. 

Consider whether to change the cat litter today. Decide to wash the leftover dishes first.

Spend an hour wasting time on the Internet, until the first load of laundry in the washer is done.

Put the first load in the dryer, start the second load washing.

Buckle down and wash the dishes, then take care of opening some mail.

Return to wasting time on the Internet. Start up Windows during this time, as you have work to do.

Quite some time after both laundry machines are done, get the first load out of the dryer, put the second load in the dryer, put the last load in the washer. Fold the first load.

Start staring at the work documents, trying to come to grip with the fairly simple writing task that has to be done. Repeatedly return to the Internet in desperate search of distractions.

Get the second load of laundry out of the dryer, put the last load in the dryer. Fold the second load.

Continue alternating between staring at work and staring at the Internet. Intermittently wonder what to do about dinner.

Get inspired by some random thing on the Internet to look up a few classic videos. Spend a little time on iTunes adding those songs to your wish list.

Fold the last load of laundry and put clean sheets on the bed.

Make dinner, somewhat haphazardly and not too well. Regret not making time earlier in the week to prepare a turkey pie.

Return to the computer, spend more time reading about bands on the Internet instead of doing work.

Write journal entry in the last fifteen minutes of the day. 

Get to work. Try to be efficient and not stay up the rest of the night; you have a lot to do tomorrow, too.
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I know I had an idea last night, after finishing yesterday's long post, for something else to write about today, but now I can't remember what it was.

I was reminded, after writing my concert summary for August and September 2009, that I'd forgotten about seeing Beehive playing the Dead Baby Bike Rally afterparty; and I've just remembered that I also went to see them play at Hempfest, of all things, at that time as well. But I didn't leave myself enough time to write about that, and I don't want to post yet another draft and finish it after midnight.

I also don't want to write about how troubled things are for me right now—it's the same old story, not enough work, just about broke, not doing enough to get more work. Who wants to read that? It's as tiresome to me as it must be to you, and just as exasperating that I'm largely responsible for it. Bah.

I thought about writing about how I'm hopelessly optimistic, how despite my current troubles I always seem to be able to put that aside and just expect that things will get better. Again, not enough time to gather my thoughts.

Good things today: got out of the house, got a ticket to see Black Angels next Monday, got stuff for Thanksgiving, made a decent dinner, made blueberry sherbet for tomorrow. Not good: a disappointing delay in a personal matter (but no big deal, just a matter of waiting until the new year), and learning that I'm not getting a good layout project after all because the client wants to do it in a different way. And, typing that last bit took just enough time that I had to post this as an incomplete draft, damnit.
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In the Beginning, the Demiurge arose from Chaos, and parted the Chaos, so that Chaos lay within the Void, and without was nothing but the Demiurge. The echo of the Demiurge resounded through the Void and was Nihil.

The Demiurge recognized itself in the inchoate Chaos, but Chaos recognized only its unformed self. The Demiurge recognized itself in the echos of Nihil, but Nihil recognized nothing but Void. 

The Demiurge saw within Chaos all that could be, and loved it, and shaped it. But Chaos had no Order and could not hold form, and unshaped. 

The Demiurge sought to bring Order unto Chaos. But Nihil intervened, and naught could come out from Chaos but it was not.

And the Demiurge recognized in the unity of its Awareness the Order that it sought. And so the Demiurge would shape Chaos, and the shape would collapse into the Void unto Nihil, and the echoes of Nihil would bring Awareness back to the Demiurge. Thus the Order that is Time came into being, and Birth and Death came with it.
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Before the Beginning, Chaos. Within Chaos, Awareness. With Awareness, the Beginning.

Awareness coalesced within Chaos and recognized Itself, distinguished Itself from the surrounding Chaos, defined Itself as Awareness apart from inchoate Chaos. Thus, the Beginning.

Awareness was distinguished from Chaos but still within Chaos. Awareness parted Chaos and defined the Void, where Chaos and Awareness were not. Awareness parted Chaos, and there was Chaos within the Void, Awareness without the Void, the Void between the inchoate Chaos and the Awareness. Thus, Order.

Awareness resounded across the Void. The echoes of Awareness were also Awareness of the Void. Thus, Nihil.

Awareness resounded within the inchoate Chaos. Chaos responded to Awareness. Awareness was from Chaos and within Chaos, and so Chaos was also Awareness. 

Awareness without the Void shaped Chaos within the Void. Thus, the Demiurge.

Thus the three. Awareness without the Void that is the Demiurge, the Shaper, Order. Awareness within the Void that is Chaos, the Unformed. Awareness from the Void that is Nihil, the Emptiness Apart.



I've been playing around for a while with this cosmology and wanted to get some of it down. It's by no means a statement of my actual beliefs; really, like much of this sort of thing, it comes out of thinking about background material for fantasy role-playing games like Dungeons & Dragons. How do you get to the complex fundamental realities of Law versus Chaos, Good versus Evil, in the settings of D&D? Is there a precedence, do Law and Chaos originate before, after, or at once with Good and Evil? How do the two axes relate? What are the implications for the universe? 

I've been interested in mythology ever since I was a child and fell in love with the Greek myths; from there I got into high fantasy, such as Tolkien's works, and into fantasy RPGs such as D&D. This is the result. There will be more.
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This month's Sk8J writing challenge:
At work we found a fairly idiotic "101 things a woman should do" calendar and have been laughing about it ever since then. Because honestly almost all of these things are incredible stupid, to put it mildly.

So for October, everyone's writing topic is actually one of the items from this list. Fiction, non-fiction, go to town.
My assignment: "Order the entire top shelf of a dessert cart."

And I agree, on the surface this is a pretty idiotic idea, whether you're a woman or a man. Ostensibly it's an exercise in indulgence, in feeling free to live it up, have some fun, go on, you can be extravagant for once, you don't have to politely refuse dessert all the time! The thing is, you can't eat all that by yourself; and if you can, either you really should not be doing so, or else the selection and portion sizes are both very small. This suggestion really is a McGuffin, just a plot device intended to create social interaction, possibly causing wacky hijinks to ensue. If you're by yourself and order all that dessert, you'll have to offer the desserts to your neighbors; depending on your personality and social skills, you may pull this off as charmingly eccentric, haplessly foolish, or creepily weird. No matter which, you're not really experiencing the desserts, you're just using them as a means to a different end. If you're with a group of friends, it can be fun, but it's hardly necessary for creating social interaction—you've already got people to interact with. And if you really want to mix dessert and wacky hijinks, forget this timid nonsense of ordering the entire top shelf of a dessert cart, step on up and have a pie fight and be done with it.

No, the real reason to order the entire top shelf of a dessert cart is because all of the desserts are just that good, each of them should be experienced. But then dessert is an experience, or it ought to be, one of sensual pleasure. And in that case ordering all that dessert at once is completely contrary to all sense and sensuality. You want to take your time with each dessert, and have enough room to appreciate it. What is its aroma? Is it a strong and bold coffee? Subtle and smooth vanilla? How about taste: cool lime, light coconut, luscious chocolate? Textures and other physical qualities: moist, dense, flaky, crumbly, creamy, chilly… Dessert is an exercise in indulgence, all right: it's indulging the senses, not your wallet, not your "guilty pleasures," not your whimsy. And that's why it's a bad idea to order the entire top shelf of a dessert cart all at once. Order one thing. Experience it. Indulge your senses. Enjoy it. Then come back another time and order the next thing. Work your way through the entire set of offerings. If you could get three friends to come along and order the entire dessert cart all at once, you're probably in the wrong place to start. You should be able to bring three friends, each order a different thing each time, and not have any duplication in at least four visits; it should take at least a dozen visits just for you alone to try each dessert. If you live in the Seattle area, I recommend starting at B&O Espresso
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Part of the reason that I'm a professional editor, and not a professional writer, is that I actually find writing to be a difficult and lengthy process. Sometimes it comes to me fairly effortlessly. I can certainly be inspired, sit down, and pound out a thousand words or two in a couple hours. I've done so in this very journal before; I'd say that in the 40 Topics / 40 Days / 40 Years series, more often than not the difficulty was keeping the post down to a reasonable length, rather than struggling to find something to say. Often, however, I need to spend a lot of time thinking—which yes may well look like procrastinating—and even in the midst of writing I'll pause a lot, revise as I'm going, or maybe just sit and stare, asking myself what the hell I'm going to write. That doesn't work so well when I'm paid by the hour, and even if I were working for a flat fee or salary instead of hourly, I would still have to get the writing done in a "reasonable" amount of time.

Although I've been writing about rock concerts for years now, I often find myself at a loss for what to say other than "I liked it" or "I didn't like it". That seems pretty inexcusable for someone who's trained as a musician and has so many years of attending shows and seeing a variety of artists of different caliber. That's part of the reason I stopped regularly writing concert reviews over a year ago, I just needed some time away from that—and I was out of things to say about Hotels, whom I was seeing all the time. 

So, despite taking sometimes very wordy notes during Decibel Festival, I'm still not done my write-ups for the weekend. I do have write-ups for Wednesday and Thursday done and in the system now, so hopefully the first one will go up tomorrow or Wednesday—it depends in part on getting photos and on what else is scheduled for the blog this week, given that it's a membership drive. I'm also trying to finish Friday's write-up tonight, and it's proving tough because I didn't have much to say about the sets I saw and I have to say something more than just "I went to this venue and saw this artist". I'm doing my best. I'm hoping Saturday and Sunday won't be as difficult, as I did take more notes for those days and found more interesting things to talk about. I'm expecting some paid editing work to drop on me any day now, and it has been over a week since Decibel Festival ended, so I'm trying to get this done as quickly as possible. Hopefully people will enjoy the results.
I had some work to do the past couple days, as well as other tasks to take care of. I intended to spend much of this afternoon and evening working on my Decibel Festival write-ups, but unexpectedly had some more work-related things to deal with, so now I'm behind on that and consequently just making a quick filler post here. The good thing about the write-ups is that I took a fair amount of notes during the festival, so I've got a lot to work with already. Although some parts look like I'm not going to say enough, overall I think my posts are going to err on the side of being too long. 

I've got a lot to do this week, too. I know I've got some more paid work coming in. I'm also now signed up for a volunteer shift every day this week for KEXP's Fall Membership Drive. I started out with three, two midday tally shifts on Tuesday and Thursday and my "traditional" afternoon data entry shift on the final Friday; then last week they emailed that there were still tally shifts needing to be filled, so I took another midday one on Monday, and earlier this evening I checked and there was still another midday tally shift open on Wednesday so I took that too. I've never volunteered for the same shift four days in a row, or for five days straight total, so that should be interesting. At the least, it'll help me adjust to getting up at 8 in the morning, which I need to do anyhow as after the drive is over I'll be working there from 10 to 6 for a week, auditing the data entry. I just spent over a week staying up until 5 or 6 in the morning, due to Decibel Festival and my trip down to Portland, and now I'm transitioning over just the past few days to getting up at 8 in the morning for two weeks. I picked up some kind of a minor cold by the end of the festival, and my nose is still congested; hopefully that isn't going to drag on as a result of the sudden shift in my schedule.
Often I want to spend time being creative, but I have other stuff to take care of, and then I don't get to do anything creative. This ties back into my need to read that book Get Everything Done and Still Have Time to Play, which has been on my list since I started keeping it in July. When I got home this evening, I had to feed the cat and empty the dishwasher and make dinner for myself. While eating dinner I was browsing through my friends' recently-posted photos on Flickr. Now I'm trying to get a journal entry written before midnight. Then I have some email I really need to respond to, and dishes to wash, and it'll pretty much be bedtime. I did some editing work today, and have more to do tomorrow, which will probably take up the bulk of the day. I still have other important tasks on the list to take care of, and need to fit some of that in over the next few days. I should make a little more time for creativity too.

Sometimes I wish I were more creative. This journal writing is creative non-fiction, although I feel that there have been more filler posts than I want. Blogging for KEXP is also creative writing. And even the D&D character class conversion I'm doing for Dungeon World / Apocalypse D&D is a little creative. But aside from the currently regular journal writing, it's actually fairly uncommon for me to do creative writing, and I don't do other creative arts.

I know part of this desire to be "more creative" comes from great admiration, and a little envy, of the artistic talents of some of my friends, Tony and John in particular. I see the really cool drawings, pictures, or designs they come up with, and I wish that I could do something like that too. I've never thought much of my own drawing skills and I'm too quickly frustrated with them and too little satisfied by my efforts to have much interest in practicing until I do develop some confidence in my skills. Actually, thinking about that though, I have liked some of the maps I've made for games, and I did used to really enjoy creating new maps just as a relaxing fun activity. Maybe I just need to do some map sketching again, for myself.

One thing I do need to do is start writing these posts a little earlier! I'm always writing right up to the last second, and too often finding myself posting the entry while it's still unfinished, just so it goes up on the scheduled calendar day, and then finishing it by editing the post afterward—which in fact I'm doing right now. Another thing I need to do, which I'm reminding myself yet again, is to do this sort of rambling more often—pick a topic and just go for 20 or 30 minutes, and then be done. That was a required daily activity in my high school economics class, actually, and it's a good exercise. And as I'm now writing past midnight, it's time to call this entry done.
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Hi guys,

I've been seeing your work for several years now and I have to say my first question is, how do you guys do it? How is it that I can ignore MySpace for weeks or even months at a time, but once I finally do log in, I'm immediately treated to a half-dozen or more new messages supposedly from hot women who supposedly have read my profile and supposedly want to chat over IM or email and send me photos of themselves. You've obviously got some way of detecting who's logged in recently, since these messages only show up once I've logged in, and in the intervening months when I've been away from MySpace, I don't get any message activity. Even though I know it's probably not very difficult to set up some kind of automated alert system, it still amazes me every time. Especially because the accounts are all new every time. In fact, even now as I'm still logged in while composing this post, you've got more brand-new accounts popping up and sending me fresh emails.

My next question, obviously, is why do you do it? It's immediately obvious that every single one of these accounts is fake, just a shell of hot girl photo plus boilerplate profile information, and the emails… well, I know that lots of real people actually do write fairly sloppily with little regard for punctuation or grammar, but come on, when I get five messages in a row from five supposedly different people that look like this:
Hi Good looking, How are you doing today? I'm Cathy by name , I was browsing through and saw your profile,i most tell you that you are a good looking man, and i will like to know you better please don't hesitate to get back to me.I'm single and searching for the right man for me, a man to spend the rest of my life with.i think i must let you know i am originally from Ama Louisiana,but currently in Malta to supervise a new modeling firm in Malta ..I'm 29yrs old no kids, i had relationships but didn't work out. I would like to know little more about yourself,you can reach me at catwilson27@yahoo.com I will be waiting to read back from you .
Cathy.
hi baby how re you doing .. it will be my pleasure to know you if you don't mind.. am hannah by name.. baby hope to hear from you..
Hello how are you doing,I am Rose new on this dating site..Well i am looking for my soul mate to spend the rest of my life with,I am looking for a man who is Honest,Caring,Understanding,God fearing,Faithful and Loving..Well if you don't mind you can contact me here at roseaheto10@yahoo.com or you can give me your yahoo address so that i can add you and share pictures..Hope to hear from you soon..
Rose. Regards.
Nice going through your profile it really sound intresting to me and i would really like to know more about you if u dont really mind Cliton Annie is my name originally from brazil but based in battle Mountain nevada ... stoped been a model since three weeks which i have been in manchester uk clitonannie@yahoo.com is my mail and u can reach me on the im also ... Annie cares!!!
Hi, my name is Ayishatu
Its a pleasure to get in contact with you, i decided to send you this message after reading your profile which caught my attention. Anyway i will like to give you my personal email address so that you can contact me direct for us to know more about each other For me to send u mine Lovely Pics Well give me a reply with ur Email Address . my address: Timetells200 (AT) Yahoo.com Hope to hear from you soon. Yahoo Messenger : Timetells200 Email ADDRESS : Timetells200 (AT) Yahoo.com Hope to Hear from u as soon as Possible..
It's pretty obvious that they're all pre-generated garbage. And I know that real people can be dumb and desperate and occasionally fall for this kind of nonsense and respond, but are you really getting enough responses to make this crap worthwhile? What's the cost-to-profit ratio for this kind of business, anyhow? I'm sure a lot of this work can be done by very few people with a lot of the work being done automatically by computer scripting, but it just seems like you could find some better way to spend your time that might involve a bit more effort but would give you much better financial returns. 

As an aside here, I wonder if you're creating a shortage of available usernames on Yahoo, as this batch shows is one of your services of choice. After all, I'd expect these accounts would be getting regularly shut down for spam activity, but for a brief time the account name would be unavailable, and with the level of activity indicated by these fake MySpace accounts, you must be churning through a very large number of accounts at a constant and rapid rate.

My final question is, why aren't you better at it? Take a look again at those messages you're sending me: they are obviously utter garbage. Hell, I would think twice about responding to a message written like that if I knew for a fact that the sender really was an actual hot woman actually desperate to get into my pants. Surely it can't be that difficult to clean up your writing a bit and make the message seem more plausible. As another aside: what's the deal with all the God-fearing? Only one of the messages I'm quoting mentions it, but the "good Christian woman looking for a good Christian man" theme is pretty common, but doesn't add anything to your plausibility, particularly when you're also using scantily-clad photos and promising to send more pictures. Speaking of sending pictures, hey, I just got another message, from "Monika", and Monika's doing it right—she at least is sending me pictures directly, instead of just making empty promises. Unfortunately I can't view them, as MySpace is automatically blocking images and attachments from people I don't know, but I have no doubt that's for the best. Anyhow, as I was saying, you guys really suck at this: your messages are obviously canned and completely unbelievable, and your profiles are obviously fake, so why would anyone with enough sense to read fall for any of this crap? After all these years in this business, I'd really expect you to have some kind of competence to show. Apparently I should be more amazed that there are enough stupid people to keep you in business.

So that's what I've been wondering. I'd say I admire your persistence, but really this crap is tiresome and I'd much rather you found something better to do than waste everyone's time. Tell you what, though, I'll give you a free tip: instead of wasting your time with this nonsense of fake profiles, how about you hire a couple real live hot women to go out to bars and clubs and chat people up for their email addresses? Sure there'd still be plenty of people smart enough to recognize the obvious marketing scam for what it is and refuse or give a fake address, but I can guarantee you your overall response rates would increase. Because who doesn't want to chat with a pretty woman? And at least we'd have the pleasure of a brief real-life interaction with a real live pretty woman pretending to be interested in us… hey, that sounds like a strip club, actually. Do you guys run those, too?

Well, that's all I've got. No thanks for your time, please just go away.

Sincerely,

Philip
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I was just asked the following question about English grammar. I'm changing the details of the example passage, because it's from an unpublished document, but the basic question remains the same.

What do you know about the usage of “not only that…”? The most typical usage is of course “not only…, but also…”, but that’s not what we’re talking about here. To my ear, there should be a “but” following “not only that”, but I can’t find any guidance on this anywhere (though when I search the Web for “not only that” the majority of instances use the “but”). Here’s the passage in question – which version is right?

With the new robot solution, the rangers can now tranquilize rampaging beasts safely from a distance, whether they’re in a state park or on a city street. Not only that, but once a ranger is trained, the robot will automatically retrieve the beast for safe transport back to the wilderness.

OR

With the new robot solution, the rangers can now tranquilize rampaging beasts safely from a distance, whether they’re in a state park or on a city street. Not only that, once a ranger is trained, the robot will automatically retrieve the beast for safe transport back to the wilderness.

In this case, "not only... but also" form a correlative conjunction, and in formal/proper English both halves should always be used together. "That", in "not only that", is a relative pronoun referring to the entire previous sentence; it has no effect upon the basic construction of the correlative conjunction "not only... but also". Compare how the sentences sound if you rephrase them as a single one (I'm dropping a clause for brevity):

With the new robot solution, not only can the rangers now tranquilize rampaging beasts safely from a distance, but once a ranger is trained, the robot will automatically retrieve the beast for safe transport back to the wilderness.

versus

With the new robot solution, not only can the rangers can now tranquilize rampaging beasts safely from a distance, once a ranger is trained, the robot will automatically retrieve the beast for safe transport back to the wilderness.

In the second version, without the second half "but also" of the conjunction, it's not immediately clear where the second concept—the automatic retrieval—begins. Is the clause "once a ranger is trained" adding detail to the first part—safely tranquilizing beasts from a distance—or is it introducing the second part—automatically retrieving them?

Now having said all that, in informal English, because everyone is familiar with the conjunction "not only... but also", it's sometimes okay to leave out the second half. Because the original passage starts a new sentence to express the second concept (the advantage of automatic retrieval), it's understood that this is following on from the first part as an addition and the "but also" would be assumed by anyone familiar with English.

So if the style guidelines that apply to this document allow for informal English usage, then the second version of the passage omitting the "but also" would be okay, possibly even preferred. However, in the work I usually do, the preferred style tends toward formal usage, in part for globalization reasons: it's much easier to translate the passage when the formal rules of English grammar are followed.



Answering this question reminded me that I want to get a good reference or textbook for English grammar, because it's not the sort of thing covered by typical style guides such as the Chicago Manual of Style. Even I sometimes need to look up a rule, or at least remind myself of the technical terms. I remember complaining a lot about Warriner's English Grammar and Composition, which we used every year in secondary school, but now I wonder if there's a general-reference version rather than the multiple-book series for high schools. It also made me think that I should probably be teaching English, but I've never been particularly interested in doing so; I much prefer being an English consultant to the idea of having to manage a class.
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Fed up with the workday week?

Tired of the trials of the daily grind?

Need to get away for a while from the pressures of modern life?

Why not visit The Room Beneath Your Office?

The Room Beneath Your Office: the perfect hideaway for your holiday! It's close! It's convenient! It's cozy! Best of all, it's got all the comforts of home! The Room Beneath Your Office is stocked with all the tools you need to satiate all your needs.

Relax! It's easy to take your ease in the hidden, highly secure, and soundproofed sanctuary of The Room Beneath Your Office. The cares and caretakers of the world won't find you there, indulging your hobbies to your heart's content.

Craving company? There's plenty of room in The Room Beneath Your Office to pursue your passions with the object of your choice. When you're done, cleanup and disposal are quick and complete. With nothing left to find, no one will be the wiser!

And when it's time to return to the others' world, wearing a stiff smile on your sociable face, you can keep calm knowing your secrets are safe in The Room Beneath Your Office. With a studied air of polite concern, you're ready to face them all again for a while, until your next holiday.

The Room Beneath Your Office: Home for the holidays has never been better! Enjoy yourself today!



Fiction for this month's Sk8J writing challenge: "It's July! It's time for vacations, right? Except, of course, picking a destination can be hard. We're here to help. Sell your destination to the rest of us. Why is it great? Or not so great? Or now a smoking crater?"
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Another pitfall I hadn't considered: what if I just don't want to write? Today was pretty much a wasteful day of wasting time doing nothing in particular, which only sours my mood, and now I don't want to write about the things I'd been thinking about writing and I don't have other ideas to write about. And I don't want to start a series of grumpysour posts about how I don't want to write. 'Cause I don't want to write those, either, and no one wants to read that crap.

Speaking of crap, that seems to be where my typing skills have gone. What the hell? It's like I'm developing aphasia very slowly. So I make basic mistakes, for example accidentally typing "your" instead of "you're", and worse, don't notice that I've done so. I haven't exactly prided myself on accurate typing as such, but it definitely goes along with my editing skills, which I do pride myself on. It's my livelihood to catch mistakes, so I can't be blithely making them when I type. (I should note at this point that "grumpysour" in the previous paragraph (and this sentence) was deliberate.)

Currently I'm thinking that posting here every day will be a goal just for July, and then I'll see how I feel after that. I may drop back to twice a week at that point, or I may continue. I'm worried about boring myself and others. I also think I'm going to do a "photo Friday" thing, posting photos that I've already got up on Flickr, not necessarily taking new ones just for the post. 

It all keeps coming back to work (meaning employment), really. When I have the right amount of regular work, I still have energy, interest, and enthusiasm for pursuing other things. When I'm working heavily a lot, as I did for the past four months, other activities fall by the wayside. When I'm not really working much at all, like this week, I quickly feel despondent over having to find more work and then avoid doing anything at all—avoiding looking for work because I hate that, avoiding other things because I know I'm supposed to be doing something more productive. Well I know where I'm at, I should be able to avoid the pitfalls by now... but it's the miasma of apathy that's the real problem.
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I'm quite pleased to be starting my year off by posting on the KEXP Blog a concert review of one of my favorite local bands, Beehive, appearing with another old favorite, Library Science, a new favorite, CMYK, and a probable future favorite, Noddy. They all played at Neumos on Wednesday, January 6. I had a great time, got some decent photos, and you can read all about it and see the photos here on the KEXP Blog

Contrary to appearances, I did not stop attending shows at the end of last summer. I just fell far enough behind in my write-ups that I couldn't find the enthusiasm to do them when I had time. (It didn't help that it was a very hard year, nor that I was actually somewhat busy with work for a while during that period.) The last review I actually wrote was for the Bat for Lashes show that I saw in August, which I mentioned in my last concert review/KEXP Blog post, and it was supposed to run on the KEXP Blog. Unfortunately, the review kept getting pushed back due to coverage of other events—Bumbershoot, MusicFest Northwest, and some other stuff—so that by the time it could have been posted, a month or so had passed and it was now stale. However, I will post it here later this week, as I did really enjoy that show and want to share that with you. I also did take notes at most of the other concerts I went to in the past several months, and will do at least some kind of summary post, if not full separate reviews, very soon so that I can also get my 2009 Concerts List done.

Coming up this Wednesday, I'm going to see Asobi Seksu performing an acoustic set at the Triple Door, which should be fascinating, and I'm hoping to see St. Vincent at Neumos on Friday February 5. I'm looking forward to another year of great shows; it's already starting well.
As I explained at length in topic 27, "Papers and Zines and Blogs", this series of posts was inspired by a desire to return to more personal writing in my journal. Although I intended to come up with the complete list of topics before I started writing, I spent some time thinking about possible topics but didn't get around to setting down a whole list. Initially, I simply thought I'd have a diverse set of topics with no particular organization, but as I started writing it made sense to begin with topics from my earliest years, and inevitably I came to structure the series chronologically, with each topic more or less corresponding in order to my age. 

As a result, I dropped some prospective topics, and never fit in some others that I'd have liked to discuss. After I'd already started writing the series, I finally made a draft list of topics to plan ahead. These are the topics I dropped or changed:
  • Vision—getting glasses and my eyesight issues
  • Cowardly Lion—acting in the school play in sixth grade, and again in eighth grade
  • NHYO—became "Student Orchestras", as I realized there was more to cover
  • Brains—was effectively replaced by two entries, "Geek" and "Most Likely to Succeed"
  • Driving—how and why I enjoy driving, and driving-related experiences
  • The Faire—attending King Richard's Faire every year from 1988 until 2001
And these are a few other topics I considered:
  • Names and Nicknames—what I've called myself, what others have called me
  • Sex and Sexuality—no shocking revelations or details, just how I feel about it
  • Walking and Bicycling—activities I've done for fun that also helped me get to know my home cities very well
I may yet write about some of these topics in the future.

Writing this series was occasionally challenging in surprising ways. Sometimes I had to think a while about how to get into a topic, other times I had to work to stay focused and not ramble on for pages. Sometimes it was harder to remember details than I expected. The closer I got to the present, the more difficult I found it to write about some topics, because they were things I'd been spending lots of time thinking about, and sometimes writing about, already, and I felt I was just repeating myself. Or I was concerned about saying too much and somehow putting myself in a bad position, in particular with posts about work and about my efforts to find romance—the concern that led me to stop making personal posts in the first place.

I enjoyed writing this series very much, and I'm pleased and grateful that some of you let me know you were reading along and enjoying it too. Thanks for your comments and support. 
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Back in November 2009, I decided to write a series of 40 posts on 40 different topics about myself, leading up to my 40th birthday at the end of the year. If you've been reading along as I wrote them, you know that already, but I'm writing this post for future reference, an index linked to all the posts so that they're easy to find again. 
  1. Procrastination
  2. Cleft Palate
  3. Reading
  4. Speech and Sociability
  5. Franco-American
  6. Catholic Upbringing
  7. Early Musical Influences
  8. Violin Lessons
  9. Soccer
  10. Cub Scouts
  11. Paper Route
  12. Pants
  13. Dungeons & Dragons
  14. Geek
  15. "Most Likely to Succeed"
  16. Student Orchestras
  17. Boy Scouts
  18. Retail
  19. College
  20. Night Owl
  21. Rome
  22. Religion and Faith
  23. Major and Myopia
  24. Floundering
  25. Chung Moo!
  26. Nashua Chamber Orchestra
  27. Papers and Zines and Blogs
  28. Professional
  29. Rock, On-Air and Live
  30. Moving Out
  31. (Goth) Dancing
  32. Seattle
  33. Food
  34. Cat
  35. Homeowner
  36. Go Play NW
  37. Freelancer
  38. KEXP Volunteer
  39. Crush Stories
  40. 40 Years Old
If you are reading this on LiveJournal, you can also find all of the above posts, plus a couple other related ones (such as this), by clicking the 40t/d/y tag.
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Back in fifth grade, near the end of the school year, we had a special kickball game event pitting our classroom against one of the other fifth-grade classrooms, complete with the teachers themselves participating—not the typical recess-time game. When our class was up to kick and I had a lot of downtime waiting my turn, I started to amuse myself by pretending to be a news reporter interviewing others about the big game. In talking with my friend Andy, we became enthusiastic about the idea of actually creating a school newspaper, and we stuck with it. We figured we could get our fellow students to submit stories and articles and whatever, and produce a few pages a month. Conveniently, we happened to be in the same classroom for sixth grade, making it easy for us to work together. We went to a meeting of the school’s PTO to present our idea and ask for paper supplies and use of the school’s ditto machine (I remember it being called a mimeograph, but it turns out that’s a different technology) to produce the newspapers, and they decided to support it.

It ended up not being much of a newspaper as such; we had some kind of school news blurb in each issue, but mostly it ran stories, drawings, poems, and recipes submitted by our classmates and some of the kids in the other sixth-grade classes. I don’t recall specifically what I wrote for it, and haven’t gone looking in my box o’ memories in the closet for my copies which I should still have, but I think I wrote at least some of the letters from the editor about each issue. I also don’t remember how many issues we did; it was less than one a month of course, because we did still have other classwork to do and we had to get other people to submit things, but I believe we did at least five or six over the course of that year. It was a lot of fun and enjoyed by at least some of the kids—near the end of the year I was even approached by two fifth-graders who wanted to take over the paper the following year. (I still wonder what came of that, I know at the time I explained it wasn’t really up to me, they’d have to get the support of the PTO to continue.)

In junior high, I joined the yearbook staff and served all three years. And I can hardly remember any work I did on it. I know at least one year I got stuck on the advertising team, trying to sell ads to support the yearbook, which I had no interest in doing at all. I don’t remember how the writers or editors were chosen, but I was never one of them, although I do remember helping to choose the fiction contest winner at least once. If it weren’t for the fact that I’m listed on staff and appear in the photos for all three years, I wouldn’t even be sure I’d participated. It may have been due to that less-than-memorable experience that I never sought to be involved in the senior high yearbook or even with the regular monthly school newspaper.

In college, my friends Tony and Conrad first came up with their own take on an unofficial student paper, The Goliard; I believe they did manage to put out two issues, but no more than that. I did contribute a poem to one of the issues but otherwise had little to do with it. A year or two later, another student, Kevin, revived The Goliard and put out several much nicer-looking issues, but again I think at most I promised to submit something and never did.

However, during my college years I also became good friends with one of my younger sister’s friends from high school, Jay. Jay (and my younger sister) was more in touch with the modern alternative music scene than I was, and he was interested in zines, the small amateur-press photocopied magazines often connected to the underground rock scene. He put out the first version of his zine, Banner Bauhaus, just after he graduated from high school, and then a few years later as I was finishing college he revived and expanded his zine under a new title, The Maudlin Order. With the second issue of that version, I became involved as an editor, helping to get the various stories and articles into shape, and that began our off-and-on collaborative efforts as zine publishers. After another couple-year hiatus, in late 1996 we agreed to revive and rename the zine yet again, this time as The Park Bench.

For The Park Bench I played my most active role since elementary school, editing all of each issue’s content and writing some content myself. The zine was always Jay’s baby, though, and we clashed over it on occasion: I never wrote as much as he would’ve liked, and my writing was almost always done last-minute when Jay set a firm deadline for starting his layout and going to print, making him worry each time about having enough content. We did publish three issues in the first half of 1997, but then Jay felt burnt out again and quit; I finished up the third issue myself, but did not follow through with any further ones. We bounced back in 1999, putting out volume two in two issues that year and following on with another three-issue volume in 2000. Jay then moved to Los Angeles, and although he was there only a matter of months, the zine fell back into another long slumber.

Shortly after moving to Seattle, I joined LiveJournal and started blogging. For my first couple years my writing was very sporadic, but two things changed that: late in 2004 I decided that I wanted to attend concerts more regularly and should make a point of seeing at least one show a month, and early in 2005 I made a list of goals for the year which included posting in my journal at least once a week. Those two decisions naturally combined to start me writing reviews of the concerts I was attending, which increased along with my show attendance. After a couple years, I added a new goal of getting my music writing out to a wider audience, which I finally achieved this year when I started writing for the KEXP Blog.

Unfortunately, at the same time my journal writing dropped off this year. Mostly because of my dismal feelings about work and finances and my perceived failure to improve those situations, I was too disheartened to set down any goals for the year. Although writing weekly in my journal had seemed to become a habit, I couldn’t bring myself to keep writing publicly about how miserable I was feeling over those issues, nor did it seem a good idea to write much about my struggles with finding work. I also started feeling more pressure to be discreet about my dating efforts. The thing is, I’ve always felt that my online journal served a useful purpose by being public: I was able to work out my feelings and get troublesome thoughts out of my head through the process of journal writing, and by doing so in a public venue such as LiveJournal, I had the opportunity to get feedback and advice from friends without having to ask anyone to sit down and listen to my endless agonizing. Once I started feeling that I had to restrict my writing, avoid topics like work and friends-lock topics like dating, I lost the heart to write much at all. My journal became largely about music, and even that writing tapered off later this year as I developed a backlog of reviews to write and it started to feel like a chore.

This series of posts about my life was directly inspired by the drop-off in my personal writing this year. I was restless and unhappy that I hadn’t been writing, and wanted something to get me back into it; doing a series of 40 posts on 40 topics, leading up to my 40th birthday, was an obvious idea to accomplish that. I don’t yet know what will happen after that; I expect I’ll set down some goals to get myself back on track, and returning to writing weekly in my journal will be one of those goals. I also want to step up my writing for the KEXP Blog, and perhaps there are other opportunities I may want to pursue. It’s worth remembering that all those years ago in elementary school, I had a fun idea and without any real understanding of what it would take to make that happen, I pursued it and did make it happen. I can still do that.