The car crash in mid-October didn't keep me down for long; not quite a month later, I was at Chop Suey on Saturday November 13 to see the Bran Flakes, a wacky performance-art band, with Velella Velella and Dat'r. For some reason I actually wrote that review in a timely manner and posted it right away; you can read it in the archives here on my blog. One thing I didn't emphasize enough in that review was that Velella Velella were quite good and I'd like to see them again.

On Monday November 29, I went to the Showbox at the Market to see the Black Angels, with Black Mountain opening. Black Mountain do the early '70s heavy psychedelic rock really well, and it helps them stand out when so many bands seem to look a decade later for inspiration. It now seems inevitable that they'd grow to this level, as their sound filled the Showbox, and although they were the opening band, the place was filled for them. They played a mix of older and newer songs, storming through "Don't Drag My Heart Around" to finish. I'd never thought of the Black Angels as '70s style heavy/dark rock, but they actually fit in very well with Black Mountain. They maintained a cavernous echoy sound even when the guitars or keyboards were grumbling or shimmering beneath. One song, "Telephone", jumped out for its strong '60s sound, making me wonder if it was a cover. (It's not.) They concluded with "Manipulation" and "Empire", both from their debut album Passover. It was a really solid show, with good performances by both bands and a generous use of time at about 75 and 90 minute sets.

For some reason I insisted on taking photos, even though I was far from the stage, so there's a small set here on Flickr.

December is always a tough month for catching shows, with so much going on including my annual trip home for Christmas. This year however I was able to end in style by going to the Crocodile on New Year's Eve to see Head Like a Kite with Fresh Espresso headlining. I can't do a proper review of this show, as I didn't take any notes and I didn't see the whole thing: I missed the opener, which the Crocodile's website tells me was Concours d'Elegance, and I missed about half of Fresh Espresso's set because I was out in the alley watching the Space Needle fireworks with a couple friends. I will say that I found Head Like a Kite surprisingly on the subdued side, not quite the crazy dance party with people in costumes that I expected from past shows, but my guess is that was due to them not being the headlining act. They were still great to hear, though. What I saw of Fresh Espresso was fun, too, although their rap style still isn't quite to my taste. In any case it was definitely one of the best birthdays/New Year's Eves I've spent in Seattle.

And hey, that's 2010! Now I just have a few more reviews to write in order to catch up to the present.
(Note: I posted this review before I finished writing it, in order to get it into the deadline for Sunday. If you came here from Facebook, the content may not quite match.)

Last night's show at Chop Suey, headlined by the Bran Flakes with Velella Velella and Dat'r, was a strong reminder of the truth of rules 1 and 2 about going to shows. I was feeling a bit tired in the afternoon and evening, I'd had a couple draggy do-nothing days, and I was feeling like I didn't want to bother going out to the show. But I made myself go, and sure enough, it was the right decision. And I made sure to get there in time for the opening act, Dat'r, who were pretty great, proving again that it's always worthwhile to catch the opening act.

Dat'r were a duo using a melange of synthesized and live-sampled beats, keyboards, live miscellaneous percussion (including cymbals, a tom, a pair of bongos, and other noisemakers), and their vocals and beatboxing (sometimes sampling themselves) to make their music. They had a lot going on with the sampling, mixing, and synthesizing; I noted at one point one of them was holding his vocal mic next to the tom while striking the drum, and the other was sampling it and immediately playing the sound back reversed, in time with the beats. It was pretty cool. They were also using game controllers somehow to mix and distort the sounds. It was kind of math-rock but very danceable, and I enjoyed their set a lot.

Velella Velella were a five-member band playing a lot of keyboards and synths, with some guitar and bass thrown in, but beats all provided by drum machines of some kind. They were very groovy and upbeat, and reminded me a lot of U.S.E. though not quite as high energy dance-pop. I didn't take a lot of notes during their set as I was engaged in conversation a lot, so I don't have much else to say, but I did enjoy their set a lot as well.

The Bran Flakes put on much more a wacky performance art event than a concert, involving odd video projections, a bunch of dancers in miscellaneous silly-but-cool costumes (such as a squid), and interactive bits such as getting the audience to follow along with an '80s exercise videotape routine remixed as the song "Bounces". I liked the show, but I couldn't help comparing it a little unfavorably to Head Like a Kite, who have very strong songs and just happen to put on a crazy dance party as part of their concert show. Having said that, I was quite happily surprised when they started playing "Stumble out of Bed", a remix/mashup of Dolly Parton's "9 to 5" that I'd heard before on KEXP but didn't remember was by them. They definitely had some good songs, I just felt that overall the music wasn't strong enough to support the rest of the silliness, and the silliness didn't really carry me along either. Still, it was definitely a fun time and I'd recommend checking them out.

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