I went to a lot of concerts in August 2010; besides the KEXP Concerts at the Mural every Friday and the KEXP BBQ, I went to three other shows. Sadly, I took almost no notes at any of these shows, so I really can do little more than list them.

On Thursday August 19, I went to see my old friends Beehive at the Comet Tavern. I got to the show relatively late, I don't quite recall why, and missed two opening bands. A band called Micheal [sic] Clark and the Alleywalkers played next, and I took no notes about them. Then Beehive finished the evening; I hadn't seen them since their show in January which I reviewed for the KEXP Blog, and I was really happy to see them again. I'm particularly sad that I didn't take notes because I have a vague idea that they debuted a new song, but if they did I have no recollection of it. However, this is as good a place as any to mention that indeed they have been preparing a new set of songs for release; you can hear the first three on their website or MySpace page, and download them as the Game Face EP on CDBaby

Unusually, I was back at the Comet Tavern the very next night, but it won't be surprising to learn that the reason was because Hotels were playing a show. I didn't even create a note in my Notes app on my iPhone for this show, so I have no record of it at all besides the calendar entry. So I have no idea who else played that show; I do remember that I hadn't had dinner yet, having gone there straight from that evening's KEXP Concert at the Mural, so I missed at least one set while I went over to Big Mario's for some pizza. Anyhow, it was Hotels, I have no doubt it was a fun time.

Finally, on Friday August 26, I again headed from the KEXP Concert at the Mural straight out to another show, this time at Cafe Venus / Mars Bar to see my friend Tony Sacco filling in on drums for the band Sightseer. Once again, I didn't take any notes, and don't recall who else was on the bill although I'm pretty sure I did make it early enough for all three bands. As I recall, Sightseer weren't quite my style of music but they were still fairly enjoyable. I did take a few photos, and quite by coincidence, as well as quite unusually, Tony's position as drummer in the back corner happened to be the best-lit spot on the stage, so he came out looking the best. 
In January, I started making some effort again to take notes on concerts. Well, I at least made sure to jot down band names, but my notes are still pretty sketchy.

I did take good notes for two shows, because I reviewed them for the KEXP Blog. First, I started off the year right on January 6th with a great local lineup at Neumos featuring Beehive, Noddy, CMYK, and Library Science. I wrote briefly about that show here on my blog, and you can read the full review here on the KEXP Blog. Then, on January 20th, I went to the Triple Door to see Asobi Seksu with Anomie Belle opening; again, I have a brief post here on my blog, and the full review here on the KEXP Blog.

I also took decent notes on January 16th, when I was at the Vera Project to see YouTube-video ukelele sensation Julia Nunes. In fact, having just written out a long paragraph about the show, I believe I'll just post it as a separate review tomorrow, when I'm going to be busy and may not have time to write. For the impatient: Julia Nunes is very good, check her out.

I went to see Hotels twice in January. The first time was on January 9th at the Comet Tavern, playing a show with Romance and at least one other band that I might've missed but in any case didn't even get their name down. I don't have any notes from that show; I know I liked Romance the first time I saw them, so I'm sure it was a pretty good show. (Edit: Come to think of it, the other band was probably the Redwood Plan, as I know I saw them do part of a set on a bill including Hotels at the Comet Tavern, and I didn't stay for the whole set only because I got a ride home with a friend.)

Then on January 21st, I went to the High Dive to see Hotels again, this time in between Gabriel Mintz opening and Pillow Army headlining. Gabriel Mintz played with Trent Moorman on drums, and had a kind of southern art rock sound which I thought was pretty cool. I have no notes about Hotels, of course; probably too busy dancing. I'd also seen Pillow Army once before and liked them, but thought they needed some more development; now, having added a bass player and a second guitar/flute/backing vocalist, I felt they had clearly built on the promise they'd shown before and were becoming a band to watch. 

So, full Julia Nunes review to be posted tomorrow, and if I have time I'll do the February concert summary too, as I only have proper notes on one of the three shows I saw. I'll probably roll the March concert summary into that, too, as I have only one other show that month besides the Alabaster one that I already reviewed. Otherwise, February and March will probably be covered on Monday. It'd be nice to catch up on 2010 before the year ends, but I may be too busy this week and also I should be able to get some good standalone reviews, as I did get better about taking notes.
Last Sunday I went to the Comet Tavern for yet another show featuring my new favorite local band, Hotels. Headlining the bill was Portland band Tea for Julie, and opening the set before Hotels were two local bands, Pillow Army and Altspeak. Only Hotels were known to me, although I'd heard of Tea for Julie before.

Pillow Army are an unusual quartet featuring acoustic guitar and vocals, violin, cello, and drums. They played a pretty good set of indie pop-rock, with a bit of an art-rock edge due to the strings if nothing else. The strings added a nice color to the sound—but not too nice, getting down and crunchy at times. I liked their sound, and although I think they need a little time to develop some more, I'll be keeping an ear out for them.

Altspeak list themselves as a quartet on their MySpace page: vocals and guitar, guitar, bass, and drums; for this show the vocalist only sang, while an extra person played second guitar. They played a set of modern rock with echoes of mid-'80s Britpop. They reminded me of the Purrs, having some decent songs but overall a generic, unremarkable style; but perhaps like the Purrs, Altspeak will grow on me with more listens.

I'm not much of a fan of the Comet Tavern as a venue, it's simply not built for good sound. This was evident when Hotels played, as they sounded a bit deadened and dull, not as crisp and bright as normal. Even so they still played a good set. The band's slogan of "Travel, Romance, Solitude, Rest" aptly represents the various elements of their style, at times dreamy and distant, at times visceral and vital. Their songs have a memorable quality, instantly recognizable and familiar to me though I've only heard some of them at the three shows I've attended, yet still feeling fun and fresh every time. Thus, I was very excited to hear that Hotels are releasing a new album in February, When Hearts Go Broke, featuring many of these songs, but at the same time I almost don't care because it's enough to enjoy them in the moment of the live show. Still, you can be sure I'll be picking it up, as well as continuing to catch as many live shows by Hotels as I can.

Tea for Julie are the quartet of Michael Deresh (guitar, vocals), Travis Stanek (guitar), Jon Dwyer (bass), and Jad Simpson (drums). Similar to Altspeak, they played a set of '90s-influenced modern pop rock. I found their bright guitar sound and energetic mid-to-up-tempo tunes a little catchier than Altspeak, though. They really won me over when the bassist, seemingly goofing around between songs, started a very familiar bass line and the whole band came in for a really good cover version of the Stone Roses' "I Wanna Be Adored." Their following song—one of their own—also sounded very familiar to me, probably from airplay on KEXP; I believe it was "Hello," in any case it was quite good. They ended with another cover, of Blondie's song "Union City Blue", which sounded rougher and not as good as "I Wanna Be Adored" but was still decent. Like Hotels, Tea for Julie suffered some obvious problems with the venue, as the higher-pitched vocals were lost in the ceiling and the overall sound mix didn't really need to be so loud. Also unsurprisingly, most of the already-small audience left before they started, which was unfortunate: Tea for Julie were pretty good and deserved a better audience. I'll be interested to hear them again some time.



That's it for December, unless by chance I catch something while I'm back East for the holidays or on New Year's Eve here at home. Not much is on the calendar yet for January, but I see that Point Juncture, WA are playing a show at Neumos on Thursday the 8th; they have some lovely dreampop singles playing on KEXP and I've really looking forward to seeing them live, so looks like I've got a show lined up. I'll be checking the listings for other shows over the next few weeks, and looking for news on the reopening of the Crocodile Cafe, which will be an exciting event.
Last Friday night I went to The Comet Tavern to see The High Violets, playing with The Black Watch and Palodine. The Comet Tavern is a dive bar that hosts shows only occasionally, which is just as well as it's not well set up for bands. The sound wasn't great, but it was better than I expected. What did meet my expectations was the show attendance: there were 50 or 60 people at most in the bar at any time, including the band members, and the crowd was about evenly split between people who clearly came for the show and people who just happened to be at the bar and were largely ignoring the music.

Palodine were a quartet including a female lead singer, guitarist, bassist, and drummer. They played dark, moody rock, with songs that tended to be long and slow. Some of the songs had a strong strain of country in them, and it was no surprise to find on their webpage both Mazzy Star and Emmylou Harris listed among their influences. The vocalist had a strong voice and the band was reasonably good overall; they didn't win my heart, but I'd be interested in hearing them again. They did benefit from having the largest audience, undoubtedly due to being local as well as being first up in the evening.

The Black Watch were a trio on guitar, bass and drums. They played jangly indie pop, somewhere between the American indie rock of The Replacements and Weezer, and Britpop bands such as Gene. Their overall sound was much more upbeat than Palodine, and I quickly found myself getting into the music with a grin. This style stood out in contrast to both Palodine and The High Violets, but I was still surprised that the audience all but evaporated before they were a third of the way in to their set. I ended up being the only person standing and grooving to their music, with another four or five people sitting off to the side and perhaps another five or so in the other part of the bar paying some attention. Although they put on a good face for their set, the band deserved a much better audience than that, and I wonder whether they'll think twice about returning to Seattle. That said, I think they fell afoul of not really being a good fit with the rest of the lineup, as much as The Comet not being a notable (or good) venue.

The High Violets were a quartet with Kaitlyn ni Donovan on vocals and rhythm guitar, Clint Sargent on lead guitar and some vocals, Allen Davis on bass, and Luke Strahota on drums. With their swirling guitars and ethereal vocals, they were firmly rooted in dream pop, evoking bands such as My Bloody Valentine, Lush, or last month's headliners Asobi Seksu. Although they had a distinct enough sound, not merely imitating their influences, they were not particularly innovative either. They played well and were enjoyable, but didn't seem to have anything new to bring to the genre. Still, if they were a Seattle band, no doubt I'd make a point of watching out for their shows and catching them whenever I could. As it is, I'll be watching out for them to return to Seattle in the future.



This month's been pretty busy and I haven't even looked at the listings for January yet. Taking a quick glance now at the Three Imaginary Girls' Calendar, nothing's standing out, but then the listings are still pretty sparse. I'm sure something will turn up. I'd also still like to catch something in Boston when I'm home for Christmas week, but it's not generally a good time for shows; maybe I'll get lucky.

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