Let's toss out another one of these summaries. June 2010 was a very busy month for me, with a big work project finishing up, the KEXP pledge drive and a week of post-drive auditing work for me, Go Play NW, and my friend Doug's visit. So I only went to two shows that month.

The first show, on Saturday the 12th at Neumos, was a Noise for the Needy benefit featuring Kinski, with Baths opening and the Album Leaf headlining. Baths was a solo electronic artist playing room-shaking bass beats with mellow electronic melodies on top; I don't have any notes on how much I enjoyed it, but I expect it was fine. I only recognized two of Kinski's songs, "Hot Stenographer" and 'The Wives of Artie Shaw" (which are identified in my notes as "ba duh duh duh-duh" and "the flute one"—I'm still very bad about remembering the names of their songs), and the rest sounded new to me, but could have been older ones I'm not as familiar with. I took several notes on the Album Leaf, referencing "Do Make Say Think + heavy drum bass beat + some vocals" and "bit [like] Telefon Tel Aviv", before they started a song that sounded familiar. I realized I'd heard it before and seen the backing video, so I checked and found that sure enough, I'd seen them once already just back in February 2010 and I'd already forgotten. Annoyingly, I can't even track down what song it was: my notes mention "breaking out" as lyrics from the chorus, but they don't have a song by that name and I haven't been able to find it by checking lyrics sites or listening to the songs I can find online. So, although they were still pretty good and I enjoyed the set, I'm forced to conclude that they're rather forgettable overall. (Or else my memory is worse than I think, which seems plausible given my problems remembering Kinski's song titles.)

I have a small set of photos of Kinski and the Album Leaf on Flickr.

The second show was on Monday the 21st at the Tractor Tavern and featured Lou Barlow, on tour with a couple other musicians who I believe were the Missingmen (minus Mike Watt). I was never a fan of Dinosaur Jr. or Sebadoh, so I wouldn't have bothered to go to this show on my own. However, not only was Doug visiting at that point, but a couple of his friends from Boston were also in town for Go Play NW, and they knew the show was happening and wanted to go see it. So I went along and did recognize a few of the songs—he did play some songs from his projects Sebadoh and the Folk Implosion in addition to his own solo material—and thought it was fairly enjoyable. But I didn't get nearly as much out of it as Doug (or his friends), who was thrilled that Barlow played all the songs Doug hoped for, and he declared it an amazing performance. I am happy to take his word for it.

I also have a small set of photos of Lou Barlow on Flickr.
My first show in February 2010 was on the 6th at Neumos, with the Album Leaf, Sea Wolf, and Anomie Belle. And honestly, I can't remember why I went to this show. I must've been hearing music by the Album Leaf on KEXP and decided to check them out, given what my very sparse notes say. I didn't jot anything down about Anomie Belle, whose style just doesn't work for me. Sea Wolf was an unremarkable but not bad Southern rock band—at least according to my notes—who turned out to be an "oh, those guys" band, as they finished with "that song". Having looked them up again on Myspace, I'm guessing "that song" was "You're a Wolf", which is actually rather good, and the rest of their songs on Myspace seem to be more folk rock than Southern rock, so I'm not sure what's up with my notes. Finally, the Album Leaf played cool prog/art rock on the mellow side, somewhere between the arty instrumentals of Do Make Say Think and the more pop-rock sound of Minus the Bear. 

My second show in February was a special event, the fifth annual "Dancing on the Valentine" benefit for the Leukemia & Lymphoma Society, held on Saturday the 13th at the Crocodile. These events feature a bunch of bands covering the songs of a particular artist or group, this year's being David Bowie. The line-up included Hotels, so naturally I went, but also had Lesli Wood of the Redwood Plan doing a set with Aaron Starkey, the bassist (edit: oops, not bassist) guitarist of Spanish for 100. The other bands at the show included Half Acre Day, Peter Parker, Legion Within, Exohxo, Motorik, and Sean Bates. I didn't take any notes at the show besides listing the line-up, so I don't have much to say besides it being a fun time, including a David Bowie look-alike contest. I did however take a lot of photos, which you can see in this set on Flickr.

My last February show was the next Saturday, the 20th, at the Sunset Tavern, and again featured Hotels, this time with Black Mercies opening and the Purrs headlining. Black Mercies sounded pretty good, playing pretty straightforward guitar pop-rock though with very '80s-sounding synth. Their last song, "Sparks in the Darkness", had a groovy bass line and different feel from the rest, which was a nice contrast; I liked it the most of their set. Hotels debuted a new song, "On the Casino Floor," which of course made me very excited, and in all honesty it did sound very good. Finally, I'd seen the Purrs a couple times before, and they've grown on me each time. But here's the thing about the Purrs: half the time they sound like a (stereo)typical bar band, and don't hold my interest, but then they rock out more with a harder/darker sound, sometimes almost shoegaze, and then I think they sound great. That said, I do really like "Miles Away", a bright pop song with a great catchy guitar line. They also played "Taste of Monday", one of the darker ones,  and "Stay Here with Me", which is practically Britpop. 

I'm including March in this post because I went to only two shows, and I've already written one of those reviews: on March 20th I went to see Alabaster at El Corazón, and after a few months' delay got that review done back in August. The other show I went to, on March 4th at the Crocodile, had CMYK headlining, with Hotels, the Fascination Movement, and Noddy. I'd seen all the bands but the Fascination Movement before, so I didn't take many notes. Noddy sounded really good; I recognized that I should've picked up their 2009 release A Seed (which I've just found out is available for free from Noddy's BandCamp page), and this show left me really looking forward to a new release in 2010—Remora, Remora, which came out later in July. Noddy introduced the last song by jokingly claiming "I wrote this song when I was on a lot of coke… sing along if you know it," and went into a cover of Stevie Nick's "Stand Back," jumping down to the floor to sing the lines "in the middle of my room." The Fascination Movement had a strong New Wave feel, evoking New Order and Depeche Mode, and a lead singer who sometimes sounded like Mark Hollis of Talk Talk. They had a good sound and I liked them. Finally, of course I ended up not taking any notes about Hotels or CMYK, as I was much too busy dancing to their great music. I did take some photos, although for no good reason didn't get any of CMYK; you can see what I have in this set on Flickr.

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