Dancing on the Valentine is an annual concert benefit for the Leukemia & Lymphoma Society produced by Jenny George, herself a survivor of leukemia. George's birthday is February 14, and the music of Duran Duran in particular helped her a lot during her battle with leukemia, hence the title (from the lyrics of "The Reflex") and timing of the event. Each year George picks a theme for the event, the first year's being a tribute to Duran Duran (of course) and last year's being David Bowie, and invites several bands to play cover songs on that theme. I learned about the event last year because Hotels was playing at the show, and I enjoyed it so much that I planned to attend this year's for its own sake, before I knew who would be on the lineup or what the theme was. 

This year's theme was a tribute to Depeche Mode. I've never been a huge Depeche Mode fan—in fact it really wasn't until Violator came out in 1990 that I really started to like some of their songs, both from that album and some earlier ones—but I knew this would still be great. The lineup included three of my favorite Seattle bands or artists: Hotels, The Animals at Night (with Brent Amaker on guest vocals for a song), and Lesli Wood of the Redwood Plan (appearing instead with Jupe Jupe as her backing band). Also on the bill were Legion Within and Exohxo—two bands that also played last year's event—and SHiPS (sic), Black Swedes, and Sean Nelson (formerly of Harvey Danger) with Phil Peterson (on e-bass). A burlesque dancer was also supposed to appear along with the Animals at Night, but for some reason that never happened.

I arrived a bit late and missed Black Swedes, but saw the rest of the show. I didn't take any detailed notes, partly because I just wanted to enjoy the show and partly because, as a tribute concert, it's not the same as seeing a regular performance by the bands. However, I do want to mention some highlights. Exohxo did great versions of "Never Let Me Down Again" and "Just Can't Get Enough". Lesli Wood and Jupe Jupe did a pretty hard-rocking version of "Everything Counts". (Lesli Wood also did a fine solo cover of "Somebody", though for personal reasons I still hate that song.) I made a point of not asking the boys in Hotels ahead of time what songs they were going to cover, but there were a few in particular I was hoping for. I almost cried with excited glee when, as they were prepping their third song, they played the distinctive final notes of "Policy of Truth", which is probably my favorite Depeche Mode song, and sure enough they did a fantastic cover of it. They also did great with "Shake the Disease" and "World in My Eyes"; I didn't recognize the last song they did, but only because I don't know Depeche Mode that well, not because it was a bad version. Legion Within jokingly introduced their last song as an obscure B-side, but actually played "Enjoy the Silence", sounding rather like Peter Murphy covering it. The Animals at Night opened with "Behind the Wheel", and closed with an amazing version of "Personal Jesus" featuring Brent Amaker toting a Bible (with porno-mag photos hidden inside) and doing his best revival preacher vocals. 

Speaking of Brent Amaker, I'm confident this is the best photo I took all night:

Brent Amaker & The Animals at Night

However, I'm not too surprised that so far, this photo of Legion Within, which includes their gorgeous female cellist/backing vocalist (who may have been a guest performer, I'm unclear on that), is proving to be the most popular:

Legion Within

I posted another couple good photos yesterday, and you can see the rest in my Dancing on the Valentine VI: Strangelove set on Flickr.
My first show in February 2010 was on the 6th at Neumos, with the Album Leaf, Sea Wolf, and Anomie Belle. And honestly, I can't remember why I went to this show. I must've been hearing music by the Album Leaf on KEXP and decided to check them out, given what my very sparse notes say. I didn't jot anything down about Anomie Belle, whose style just doesn't work for me. Sea Wolf was an unremarkable but not bad Southern rock band—at least according to my notes—who turned out to be an "oh, those guys" band, as they finished with "that song". Having looked them up again on Myspace, I'm guessing "that song" was "You're a Wolf", which is actually rather good, and the rest of their songs on Myspace seem to be more folk rock than Southern rock, so I'm not sure what's up with my notes. Finally, the Album Leaf played cool prog/art rock on the mellow side, somewhere between the arty instrumentals of Do Make Say Think and the more pop-rock sound of Minus the Bear. 

My second show in February was a special event, the fifth annual "Dancing on the Valentine" benefit for the Leukemia & Lymphoma Society, held on Saturday the 13th at the Crocodile. These events feature a bunch of bands covering the songs of a particular artist or group, this year's being David Bowie. The line-up included Hotels, so naturally I went, but also had Lesli Wood of the Redwood Plan doing a set with Aaron Starkey, the bassist (edit: oops, not bassist) guitarist of Spanish for 100. The other bands at the show included Half Acre Day, Peter Parker, Legion Within, Exohxo, Motorik, and Sean Bates. I didn't take any notes at the show besides listing the line-up, so I don't have much to say besides it being a fun time, including a David Bowie look-alike contest. I did however take a lot of photos, which you can see in this set on Flickr.

My last February show was the next Saturday, the 20th, at the Sunset Tavern, and again featured Hotels, this time with Black Mercies opening and the Purrs headlining. Black Mercies sounded pretty good, playing pretty straightforward guitar pop-rock though with very '80s-sounding synth. Their last song, "Sparks in the Darkness", had a groovy bass line and different feel from the rest, which was a nice contrast; I liked it the most of their set. Hotels debuted a new song, "On the Casino Floor," which of course made me very excited, and in all honesty it did sound very good. Finally, I'd seen the Purrs a couple times before, and they've grown on me each time. But here's the thing about the Purrs: half the time they sound like a (stereo)typical bar band, and don't hold my interest, but then they rock out more with a harder/darker sound, sometimes almost shoegaze, and then I think they sound great. That said, I do really like "Miles Away", a bright pop song with a great catchy guitar line. They also played "Taste of Monday", one of the darker ones,  and "Stay Here with Me", which is practically Britpop. 

I'm including March in this post because I went to only two shows, and I've already written one of those reviews: on March 20th I went to see Alabaster at El Corazón, and after a few months' delay got that review done back in August. The other show I went to, on March 4th at the Crocodile, had CMYK headlining, with Hotels, the Fascination Movement, and Noddy. I'd seen all the bands but the Fascination Movement before, so I didn't take many notes. Noddy sounded really good; I recognized that I should've picked up their 2009 release A Seed (which I've just found out is available for free from Noddy's BandCamp page), and this show left me really looking forward to a new release in 2010—Remora, Remora, which came out later in July. Noddy introduced the last song by jokingly claiming "I wrote this song when I was on a lot of coke… sing along if you know it," and went into a cover of Stevie Nick's "Stand Back," jumping down to the floor to sing the lines "in the middle of my room." The Fascination Movement had a strong New Wave feel, evoking New Order and Depeche Mode, and a lead singer who sometimes sounded like Mark Hollis of Talk Talk. They had a good sound and I liked them. Finally, of course I ended up not taking any notes about Hotels or CMYK, as I was much too busy dancing to their great music. I did take some photos, although for no good reason didn't get any of CMYK; you can see what I have in this set on Flickr.

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